ARTFLAKES logo

A rather mysterious email found its way to my inbox earlier this week. It contained an invitation to Artflakes, a German print-on-demand provider for artists and photographers. I am under the impression that they are a brand new company as they are still adding a number of prominent features and, in two days of using the site, I have noticed several changes to the service. They have a wider variety of printing options (with even more promised in the future) than most on-demand providers with which I am familiar. How exciting!

The downside? Being based in Germany, shipping costs make it largely impractical for audiences outside of Europe (for a print-on-demand service, at least).

Still, I am using this partnership to a) better my distribution and b) provide more options for my customers. Give it a glance.

My work is found here: http://www.artflakes.com/en/shop/bradleykenyon

L.cation Issue 1 - Beijing, China - Bradley Kenyon

You’ve seen me mention L.cation on this blog already (a magazine, my return to the world of publishing). Issue 1 is finally almost available. I received the proofs in the post today and intend to have a great evening pouring my attention over these pages.

I’m holding back the run-down of what you are seeing until I have a few more pieces in place, but I wanted to share the excitement of the day. Rest assured, by the end of the week, you will know what L.cation is. Stay tuned.

I was cleaning some over-neglected folders on my machine and ran across this little gem: my identity/brand circa 2007/2008. Hand-cut, sprayed, scanned. I did it for real and still know where the stencil is.
Bradley Kenyon - Old Identity

Well, truthfully, they are multiple cards with different backs thanks to Moo and their printing system.

What I learned for next time, but should have already known: printing a quarter-point line is not an easy task. The double lines printed a bit shaky. The rest of the printing looks great, though. Excellent paper. Great quality.

Bradley Kenyon - Business Cards

Moo is built for the digital age (just look at their templates and you’ll know what I mean). I would, and probably will, use them again for projects like this one.

There are also two photograph card backs (not seen above) in anticipation of L.cation magazine. More about my return to the world of publishing in a bit. Stay tuned.

Conclusion after a great afternoon conversation with @achendrick: The difference between a red dot and an opportunistic designer.

The difference between a red dot and an opportunistic designer

As part of my initiative to take more initiative, I ordered some new business cards today. Take a look at the design below and I’ll post pics of the actual cards when they arrive.

Bradley Kenyon Business Card Back 1
Bradley Kenyon Business Card Front

Guitar Diptych - Bradley Kenyon

Create Creative Brilliance - Bradley Kenyon

As a professional in any creative endeavor, it is true that you experience moments of sheer brilliance. In these moments, it feels as if you are channelling the heart of the space-time continuum. Nothing can touch you; your transcended existence rivals that of any deity in which you profess a belief (or lack thereof).

These moments are nice.

Unfortunately, these moments do not create a career. The myth that creative brilliance is at the mercy of the gods has been steeping in the waters of creative professionalism for ages. And frankly, the tannins in this proverbial cup of tea have become overpopulated and unpleasant.

Too many of us have perpetuated the image of the troubled artist for it to even seem plausible anymore. It’s time to face facts; it’s time to find a new look. Creativity is not your cool uncle who occasionally checks in before disappearing on the horizon of his next admirable adventure.

Your creative energy should be treated like a light switch. Turn it on. Turn it off. You need the power in this relationship if it’s going to work. This is easier said than done, certainly, but a paradigm shift is in order. Resolve to grab the reins.

If you are unable to exert control over your creativity, the bulk of your professional life will feel like dragging a cement block across a beach. You’d be happier as an accountant. Be honest with yourself. Reluctance to go head-to-head with your creativity in the battle for control is a sure sign that you should not pursue it as a career.

I plead, for anybody who is trying to fashion a career out of their passion:

It is your responsibility, as a creative professional, to not further cultivate the belief that what you do is a) beyond your control or b) somehow taxing on you. Take advantage of the rare moments that you truly can’t control your brilliance, but be mindful of the fact that they don’t last long. Be able to engineer creative brilliance at the flip of a switch.

Queueing - Bradley Kenyon

And with that, the twenty photos that have been dubbed “Collection 2″ are now finished. Thanks for your patience. In other news, this “collection” nonsense will be put to rest soon; there is a restructuring in the works. Look for that in the next few weeks. I promise, it will make sense.